Film studies journals for sale
Having completed the second
year of my Master's degree, following the OU course British Film History
1930-1995,
I now have some scarce journals for sale.
A.
Journal of Popular British Cinema, 1998-2002,
Vols 1-5 as a set: in ‘as new’ condition, £45.00
plus post and packing (Inland UK£8.65 parcel post; other destinations, please
ask) SOLD
B.
Journal
of British Cinema and Television, Vols 1 and 2 (2004) as a pair: in ‘as new’ condition, £15.00
plus post and packing (Inland UK £3.25 second class, £3.75 first class; other
destinations, please ask)
Contents are listed in full below
PLUS
Producing
the Goods? UK Film Production Since 1991 - An information Briefing
Written and researched by Phil Wickham, published 2003 by the BFI
Ringbound A4 softback ISBN 1-84457-004-5
Condition: carefully used - as new £9.00 plus post & packing (Inland UK £1.70 second class, £2.50
first class; other destinations, please ask)
Video
- Listening to Britain - A Jennings Trilogy
Heart of Britain (1941), Listen to Britain (1942), A Diary for Timothy (1946)
Humphrey Jennings was considered by many to be Britain's best documentary film
maker of the period
Produced by the Imperial War Museum 1991 ISBN 0-901627-80-1, VHS format
Condition: Box and tape carefully used - as new £9.00 plus post
& packing (Inland UK £1.70 second class, £2.50
first class; other destinations, please ask)
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Please email partners@pbss-uk.com
marking the subject line 'Film journals'
if you are interested in buying either or both of the sets of journals,
the report or the video. Please include a note of you name, address and daytime
telephone.
Introduction
- James Chapman & Julian Petley
Mapping the fields Television
studies: plural contexts, singular ambitions? – John Corner
Is ‘British Cinema’ a zebra? - Brian Winston
British? Cinema? Television? What on earth are we talking about? - John Ellis
Time to get real - Julian Petley
Articles
The
production line: reflections on the role of the film producer in British cinema
- Andrew Spicer
Reflections of the European-ness, or otherwise, of British cinema - Geoffrey
Nowell-Smith
Documentary, history, social memory - Michael Chanan
Interview
British film education and the career of Colin Young - Duncan Petrie
Reports
XX IAMHIST congress: the history of the future: visions from the past -
Béatrice Schatzmann-Von Aesch
A Bond affair: the cultural politics of Ian Fleming and 007 - Christoph Lindner
Popular European cinema 4: methods and stars - Fred Davies
Debates
The independent film parliament: an introduction -
Holly Aylett
The independent film parliament 2003: a report -
Michael Chanan
A call to arms: Alex Cox addresses the film parliament - Alex Cox
British
cinema: a view from (elsewhere in)
Recommendations of the education and training committee -
Clive Myer
The film parliament’s motions
Is there a British film industry? - Julian Petley
Book
reviews
Volume
1 No.2
Articles
‘The Best Speaking Voice in the World’: Robert Donat, Stardom and the Voice
in British Cinema - Vicky Lowe
Putting the Mystery Back into Armchair Theatre - Helen Wheatley
‘Between Grierson and Barnum’: Sydney Newman and the Development of the
Single Television Play at the BBC 1963-7 - John R. Cook
Orphans, a Work of Minor Cinema from Post-Devolutionary
‘Crisis’ in British Documentary Television: the End of a Genre? - Caroline
Dover
Manuals are not Enough: Relating Screenwriting Practice to Theories -
Ian W. Macdonald
Interview
An Interview with John McCormick, Former Controller, BBC Scotland - Professor
Christine Geraghty and Dr Ian Goode
Report
The Return of the Native: the AHRB Centre for British Film and Television
Studies - Ian Christie
Book Reviews
Call for Papers
Please
contact Alison Morton alison@pbss-uk.com
if you are interested in buying either or both of these sets